: Rather than following a "blueprint" for beauty, this model treats every aesthetic encounter as unique, requiring the viewer to attend to the specific, non-repeatable qualities of the object.
The central pillar of this framework is the role of . Nanay identifies two primary modes that define aesthetic experience: Aesthetics as philosophy of perception
: This perspective removes the "art-centrism" of traditional aesthetics. It suggests that looking at a setting sun or a desolate streetscape can be an aesthetic experience if perceived through these specialized modes of attention. : Rather than following a "blueprint" for beauty,