The film is divided into five distinct parts, each utilizing a unique visual language:
It stands as a rare time-capsule where the "Big Three" of Italian cinema (Pasolini, Bertolucci, Bellocchio) worked alongside the leader of the French New Wave (Godard). Amore e rabbia (1969)
Though originally titled Evangelio '70 , the directors used biblical themes primarily to critique the Catholic Church's role in modern society. The film is divided into five distinct parts,