| Герои Меча и Магии 5 - Heroes Of Might And Magic V Новости, обсуждение, аналитическая и статическая информация по Heroes of Might and magic 5 |
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Опции темы |
| Герои Меча и Магии 5 - Heroes Of Might And Magic V Новости, обсуждение, аналитическая и статическая информация по Heroes of Might and magic 5 |
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Опции темы |
It really don't matter to meIt really don't matter to me (come on)It really don't matter to me (uh, come on)It really don't matter to me (what you do?)
Come on, uh-huhConfidential, play hard, babyCome onUh, uh-huh Confidential It Really Doesn't Matter Lyrics
Yo, when you see G's, see cash runI hurt you well, money squashed in the mark downIn the pure fidel, ain't no touchin' my cliqueStep to me wrong, I'm bustin' myG felon, separate the real from the storytellin'More exclusive than the powder that these-Play around, I'll numb you like the powder that they sellin'Patna, don't you know you, with a mobsta? (Come on, man)I don't give a, about you, I spit 'em at youIn a sick drop-top, sit about twoJust me and a half, rippin' the turnpikeBroad all over me, can't even turn rightThese rats and lease, how the, get an earn right?Supposed to be the king, this here's my birth right (come on)Small town, it's on now, let it be knownIf you ain't ready to play ball, better be gone It really don't matter to meIt really don't
The recurring hook—"It really don't matter to me"—serves as a declaration of indifference toward what others say or do. This refrain reinforces a sense of untouchability and detachment from the consequences faced by those outside his world. As part of the Romeo Must Die soundtrack,
As part of the Romeo Must Die soundtrack, the song aligns with the film's urban action aesthetic. Produced by , the track features heavy-hitting percussion and a menacing tone that supports its "thug style" narrative. Critical Perspective
"It Really Don't Matter" is a hardcore hip-hop track by the artist , featured on the Romeo Must Die (2000) movie soundtrack. The song is a gritty, street-oriented anthem that emphasizes unwavering loyalty, toughness, and a dismissive attitude toward rivals and external opinions. Key Lyrical Themes
He contrasts his upbringing in the "school of hard knocks" against formal education ("streets, not books"), dismissing institutional benchmarks like the "dean's list" in favor of street survival and success.
It really don't matter to meIt really don't matter to me (come on)It really don't matter to me (uh, come on)It really don't matter to me (what you do?)
Come on, uh-huhConfidential, play hard, babyCome onUh, uh-huh
Yo, when you see G's, see cash runI hurt you well, money squashed in the mark downIn the pure fidel, ain't no touchin' my cliqueStep to me wrong, I'm bustin' myG felon, separate the real from the storytellin'More exclusive than the powder that these-Play around, I'll numb you like the powder that they sellin'Patna, don't you know you, with a mobsta? (Come on, man)I don't give a, about you, I spit 'em at youIn a sick drop-top, sit about twoJust me and a half, rippin' the turnpikeBroad all over me, can't even turn rightThese rats and lease, how the, get an earn right?Supposed to be the king, this here's my birth right (come on)Small town, it's on now, let it be knownIf you ain't ready to play ball, better be gone
The recurring hook—"It really don't matter to me"—serves as a declaration of indifference toward what others say or do. This refrain reinforces a sense of untouchability and detachment from the consequences faced by those outside his world.
As part of the Romeo Must Die soundtrack, the song aligns with the film's urban action aesthetic. Produced by , the track features heavy-hitting percussion and a menacing tone that supports its "thug style" narrative. Critical Perspective
"It Really Don't Matter" is a hardcore hip-hop track by the artist , featured on the Romeo Must Die (2000) movie soundtrack. The song is a gritty, street-oriented anthem that emphasizes unwavering loyalty, toughness, and a dismissive attitude toward rivals and external opinions. Key Lyrical Themes
He contrasts his upbringing in the "school of hard knocks" against formal education ("streets, not books"), dismissing institutional benchmarks like the "dean's list" in favor of street survival and success.