Construг§гјo -

The narrative culminates in the worker falling to his death. His passing is treated not as a tragedy, but as a public nuisance that "messes up traffic" or "disrupts the Saturday".

The song’s brilliance lies in its mathematical "construction." It is composed of dodecasyllabic verses where every line ends in a proparoxytone (a word stressed on the third-to-last syllable), such as máquina , última , and sábado .

"Construção" remains a landmark for its fusion of experimental music, intricate poetry, and bold political dissent. It continues to be studied in Brazilian universities and remains relevant as a commentary on dehumanization and social inequality. Construção

The strings mimic the worker's "flight" like a bird and his subsequent heavy fall "like a floppy package".

Released during the "years of lead" of Brazil’s military dictatorship (1964–1985), "Construção" is a masterpiece of social critique. It chronicles the final day of a construction worker, whose mundane routine leads to a tragic and dehumanized death. The narrative culminates in the worker falling to his death

Beneath its poetic complexity, "Construção" is a scathing indictment of labor alienation under capitalism and authoritarianism.

Arranged by Rogério Duprat , the music progressively builds tension using orchestral elements. "Construção" remains a landmark for its fusion of

The song consists of three sections. In each, the verses are largely the same, but the final proparoxytone words are shuffled.