Dawl Sween - All Systems Down Page

You can find the track and the full EP on the Dawl + Sween Bandcamp page via Klasse Wrecks.

As part of the Rise of the Humanoids EP, the track sets a sci-fi scene of mechanical takeover. The "All Systems Down" title suggests a moment of critical failure or a digital blackout. Dawl Sween - All Systems Down

Released via the Hong Kong-based label Klasse Wrecks . You can find the track and the full

This track is often confused with a trance song of the same name by Andrew Rayel and KhoMha, but the Dawl & Sween version is distinct for its underground, analog electro-techno style. A1. All Systems Down | Dawl + Sween - Klasse Wrecks Released via the Hong Kong-based label Klasse Wrecks

Dawl and Sween are known for using vintage hardware to create "crusty," analog textures. Expect heavy, driving breakbeats and squelchy 303 acid basslines that feel like they belong in a gritty, 90s underground warehouse.

"All Systems Down" is a high-energy electronic track by the production duo , released in early 2018. It is the opening track on their "Rise of the Humanoids" EP , a four-track collection known for its raw, retro-futuristic sound. Track Profile Artists: Dawl + Sween Genre: A blend of Electro , Acid House , and Techno . Length: 5 minutes and 34 seconds.

If you enjoy this track, you should check out the rest of the EP or their follow-up release, "Fall Of The Humanoids," which continues the story with tracks like "Into The Future" and "Signal 57". Where to Listen

About The Author

David S. Wills

David S. Wills is the founder and editor of Beatdom literary journal and the author of books about William S. Burroughs, Allen Ginsberg, and Hunter S. Thompson. His most recent book is a study of the 6 Gallery reading. He occasionally lectures and can most frequently be found writing on Substack.

1 Comment

  1. AB

    “this is alas just another film that panders to the image Thompson himself tried to shirk – the reckless buffoon that is more at home on fraternity posters than library shelves. It is a missed opportunity to take the man seriously.”

    This is an excellent summary on the attitude of the seeming majority of HST ‘admirers’.
    It just makes me think that they read Fear and Loathing, looked up similar stories of HST’s unhinged behaviour and didn’t bother with the rest of his work.

    There is such a raw, human element of Thompsons work, showing an amazing mind, sense of humour, critical thinking and an uncanny ability to have his finger on the pulse of many issues of his time.
    Booze feature prominently in most of his writing and he is always flirting with ‘the edge’, but this obsession with remembering him more as Raoul Duke and less as Hunter Thompson, is a sad reflection of most ‘fans’; even if it was a self inflicted wound by Thompson himself.

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