Here Comes | Hell

Blood, Black-and-White, and British Wit: Why You Need to See Here Comes Hell (2019)

It starts as a witty Agatha Christie-style parlor mystery before exploding into a splatter-gore extravaganza. Here Comes Hell

Check out our other reviews of cult horror classics or dive into more interviews with indie directors making waves in the scene. Blood, Black-and-White, and British Wit: Why You Need

Despite its "knowingly flimsy" premise, the film succeeds because it never feels like a mean-spirited parody. Instead, it’s an earnest, charming tribute to the directors McHenry loves—names like Hitchcock, Carpenter, and Sam Raimi. Instead, it’s an earnest, charming tribute to the

If you ever wondered what would happen if the cast of Downton Abbey took a wrong turn and ended up in the middle of The Evil Dead , look no further. Jack McHenry’s 2019 feature debut, , is the "gory glory" mashup you didn't know you needed.

The film is presented in a 4:3 aspect ratio and shot entirely in black-and-white. It uses "old school" tricks like matte paintings and back-projection to mimic the look of golden-age British cinema.