L'uomo Che Amava Le Donne (1977) Online

The film begins at its end: the funeral of Bertrand Morane (played with a nervous, singular intensity by ). In a striking opening visual, the mourners consist exclusively of women—the many lovers, friends, and "conquests" Bertrand accumulated throughout his life.

François Truffaut’s 16th feature, L’uomo che amava le donne (The Man Who Loved Women), remains one of the most enigmatic entries in the French New Wave legend's filmography. Far from a simple tale of a womanizer, the film is a deeply melancholic, semi-autobiographical study of obsession and the literary impulse. The Story: A Funeral for One, Attended by Many L'uomo che amava le donne (1977)

Truffaut uses Bertrand’s obsession to explore several layers of the human experience: The film begins at its end: the funeral