(midori) Г‚»г‚«гѓігѓ‰ (second) (2007) — Гѓџгѓ‰гѓє
The rhythm section—featuring Yoshitaka Kozeni on drums and Shingo Harada on electric upright bass—maintains a heavy, driving groove that anchors the more chaotic elements.
Keyboardist Hajime (Hajimetal) replaces traditional punk guitar leads with "violent sounding" piano lines that range from frantic stabs to beautiful, cascading flourishes. The rhythm section—featuring Yoshitaka Kozeni on drums and
A blinding opener that sets the tone with high-speed aggression and raw energy. introspective melodies. Critical & Fan Reception
The album’s identity is built on the friction between feral vocal delivery and the technical proficiency of the backing band. The rhythm section—featuring Yoshitaka Kozeni on drums and
A somber, beautiful closer that winds down the "sonic mayhem" with emotional, introspective melodies. Critical & Fan Reception
The rhythm section—featuring Yoshitaka Kozeni on drums and Shingo Harada on electric upright bass—maintains a heavy, driving groove that anchors the more chaotic elements.
Keyboardist Hajime (Hajimetal) replaces traditional punk guitar leads with "violent sounding" piano lines that range from frantic stabs to beautiful, cascading flourishes.
A blinding opener that sets the tone with high-speed aggression and raw energy.
The album’s identity is built on the friction between feral vocal delivery and the technical proficiency of the backing band.
A somber, beautiful closer that winds down the "sonic mayhem" with emotional, introspective melodies. Critical & Fan Reception