Nana Episode 27 đź’«
A recurring motif in the series is the pair of matching strawberry glasses. In this episode, the imagery of these glasses often serves as a reminder of the fractured domestic bliss the two Nanas once shared in Apartment 707.
In contrast, Nobu is heartbroken. When Hachi admits she doesn't know who the father is, Nobu is unable to offer the same immediate, forceful commitment as Takumi. His reaction is human and vulnerable, but it ultimately makes Hachi feel more guilty and alienated. NANA Episode 27
Upon hearing the news, Takumi immediately takes charge. His reaction is pragmatic and cold; he offers financial support and assumes the role of the provider, regardless of whether the child is his. This dominance effectively strips Hachi of her agency but offers her a sense of "security" she desperately craves. A recurring motif in the series is the
Episode 27 is widely regarded by fans as one of the most frustrating yet masterfully written episodes. It effectively ends the "honeymoon phase" of the two Nanas living together. By the end of the episode, the power dynamic has shifted: Takumi has successfully inserted himself into Hachi's life permanently, creating a rift between the two Nanas that sets the stage for the series' tragic conclusion. When Hachi admits she doesn't know who the
Watching Hachi drift away toward the world of Trapnest (via Takumi) creates a profound sense of betrayal and loss for Nana. She sees Hachi as being "trapped" by the very people she considers her rivals. Key Themes and Motifs
The episode picks up with the devastating revelation of Nana "Hachi" Komatsu's pregnancy. The core tension lies in her indecision and the starkly different reactions of the two men in her life:
The pacing of Episode 27 is intentionally slow and heavy. The dialogue is sparse, allowing the internal monologues—a staple of the NANA series—to carry the emotional weight. The contrast between the sterile, high-end environment Takumi provides and the warm, cluttered reality of BLAST’s world underscores the literal and metaphorical "choice" Hachi is making. Conclusion
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