: The film centers on an "oddball trio" consisting of a stuffy, overlooked bank manager (Stanley Baker), an impoverished, eccentric aristocrat (David Warner), and his materialistic wife (Ursula Andress).

plays against his usual tough-guy type as a "timid but determined" bureaucrat.

provides a strange contrast as a lazy, flamboyant lord who wears wigs and makeup.

: Peter Hall (primarily known for his theatre work). Score : Features a jazz-influenced score by John Dankworth .

: It has recently seen a high-definition restoration available through Kino Lorber.

(1970) is indeed an interesting piece, largely because it subverts the typical "Swinging Sixties" heist film tropes with a cynical, offbeat energy . Directed by Peter Hall, it focuses more on its kooky character dynamics than the mechanics of the crime itself. What Makes It Stand Out

: Unlike standard heist movies that follow a linear path, this film uses an intricate series of flashbacks, flash-forwards, and freeze frames to piece the plot together.

is often cited as giving one of her best performances, moving beyond her "vamp" image to play a more subtle, greedy manipulator. Quick Facts

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