For many gentleman drivers, racing is more than just a hobby; it is a necessary escape from a demanding business life.

In the high-stakes world of sports car racing, the "gentleman driver" represents a unique bridge between amateur passion and professional mastery. Unlike factory-backed pros, these individuals—often successful entrepreneurs, CEOs, or doctors—self-fund their racing careers, balancing high-pressure 9-to-5s with weekends competing at the highest levels of the sport.

This documentary offers a deep dive into the lives of four world-class businessmen who lead dual lives as serious competitive racers: ‎The Gentleman Driver - Apple TV ‎Apple TV• Feb 24, 2016 The Dual Life

: Many drivers, like Ben Keating , who owns several car dealerships in Texas, apply the same grit and determination to the track that they use in their boardrooms.

: While they bring substantial funding to their teams, gentleman drivers often face a steep learning curve in high-speed decision-making and adaptability compared to full-time pros. Historical and Modern Icons The Gentleman Driver – Gran Touring Motorsports

The Gentleman Driver

Neal Pollack

Bio: Neal Pollack is The Greatest Living American writer and the former editor-in-chief of Book and Film Globe.

6 thoughts on “‘What We Do In The Shadows’ Season 2: A Jackie Daytona Dissent

  • The Gentleman Driver
    August 1, 2020 at 1:22 pm
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    I love how you say you are right in the title itself. Clearly nobody agrees with you. The episode was so great it was nominated for an Emmy. Nothing tops the chain mail curse episode? Really? Funny but not even close to the highlight of the series.

    Reply
    • August 2, 2020 at 3:18 pm
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      Dissent is dissent. I liked the chain mail curse. Also the last two episodes of the season were great.

      Reply
  • The Gentleman Driver
    November 15, 2020 at 3:05 am
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    Honestly i fully agree. That episode didn’t seem like the rest of the series, the humour was closer to other sitcoms (friends, how i met your mother) with its writing style and subplots. The show has irreverent and stupid humour, but doesn’t feel forced. Every ‘joke’ in the episode just appealed to the usual late night sitcom audience and was predictable (oh his toothpick is an effortless disguise, oh the teams money catches fire, oh he finds out the talking bass is worthless, etc). I didn’t have a laugh all episode save the “one human alcoholic drink please” thing which they stretched out. Didn’t feel like i was watching the same show at all and was glad when they didn’t return to this forced humour. Might also be because the funniest characters with best delivery (Nandor and Guillermo) weren’t in it

    Reply
    • November 15, 2020 at 9:31 am
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      And yet…that is the episode that got the Emmy nomination! What am I missing? I felt like I was watching a bad improv show where everyone was laughing at their friends but I wasn’t in on the joke.

      Reply

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